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The Oxford History of World Cinema
by Nowell-Smith, Geoffrey-
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Summary
Author Biography
Geoffrey Nowell-Smith is Project Director for European Filmography, and Fellow of the European Humanities Research Centre at Oxford University.
Table of Contents
| Acknowledgements | p. vii |
| Contributors | p. ix |
| Special Features | p. xv |
| List of Colour Illustrations | p. xvii |
| General Introduction | p. xix |
| Silent Cinema 1895-1930 | p. 1 |
| Introduction | p. 3 |
| Origins and Survival | p. 6 |
| Bibliography | p. 13 |
| Early Cinema | p. 13 |
| Bibliography | p. 23 |
| Transitional Cinema | p. 23 |
| Bibliography | p. 42 |
| The Hollywood Studio System | p. 43 |
| Bibliography | p. 53 |
| The World-Wide Spread of Cinema | p. 53 |
| The First World War and the Crisis in Europe | p. 62 |
| Bibliography | p. 62 |
| Bibliography | p. 70 |
| Tricks and Animation | p. 71 |
| Bibliography | p. 77 |
| Comedy | p. 78 |
| Bibliography | p. 86 |
| Documentary | p. 86 |
| Bibliography | p. 95 |
| Cinema and the Avant-Garde | p. 95 |
| Serials | p. 105 |
| Bibliography | p. 105 |
| Bibliography | p. 111 |
| French Silent Cinema | p. 112 |
| Bibliography | p. 123 |
| Italy: Spectacle and Melodrama | p. 123 |
| Bibliography | p. 130 |
| British Cinema from Hepworth to Hitchcock | p. 130 |
| Germany: the Weimar Years | p. 136 |
| Bibliography | p. 136 |
| The Scandinavian Style | p. 151 |
| Bibliography | p. 151 |
| Bibliography | p. 159 |
| Pre-Revolutionary Russia | p. 159 |
| Bibliography | p. 162 |
| The Soviet Union and the Russian émigrés | p. 162 |
| Yiddish Cinema in Europe | p. 174 |
| Bibliography | p. 174 |
| Bibliography | p. 176 |
| Japan: Before the Great Kanto Earthquake | p. 177 |
| Bibliography | p. 182 |
| Music and the Silent Film | p. 183 |
| Bibliography | p. 192 |
| The Heyday of the Silents | p. 192 |
| Bibliography | p. 204 |
| Sound Cinema 1930-1960 | p. 205 |
| Introduction | p. 207 |
| The Introduction of Sound | p. 211 |
| Bibliography | p. 219 |
| the Triumph of the Studio System | p. 220 |
| Bibliography | p. 234 |
| Censorship and Self-Regulation | p. 235 |
| Bibliography | p. 248 |
| The Sound of Music | p. 248 |
| Bibliography | p. 259 |
| Technology and Innovation | p. 259 |
| Bibliography | p. 267 |
| Animation | p. 267 |
| Bibliography | p. 275 |
| Cinema and Genre | p. 276 |
| Bibliography | p. 285 |
| The Western | p. 286 |
| Bibliography | p. 294 |
| The Musical | p. 294 |
| Bibliography | p. 303 |
| Crime Movies | p. 304 |
| The Fantastic | p. 312 |
| Bibliography | p. 312 |
| Bibliography | p. 321 |
| Documentary | p. 322 |
| Socialism, Fascism, and Democracy | p. 333 |
| Bibliography | p. 333 |
| Bibliography | p. 343 |
| The Popular Art of French Cinema | p. 344 |
| Italy from Fascism to Neo-Realism | p. 353 |
| Bibliography | p. 353 |
| Bibliography | p. 361 |
| Britain at the End of Empire | p. 361 |
| Germany: Nazism and After | p. 374 |
| Bibliography | p. 374 |
| Bibliography | p. 382 |
| East Central Europe Before the Second World War | p. 383 |
| Bibliography | p. 389 |
| Soviet Film Under Stalin | p. 389 |
| Bibliography | p. 398 |
| Indian Cinema: Origins to Independence | p. 398 |
| China Before 1949 | p. 409 |
| Bibliography | p. 409 |
| Bibliography | p. 413 |
| The Classical Cinema in Japan | p. 413 |
| Bibliography | p. 422 |
| The Emergence of Australian Film | p. 422 |
| Cinema in Latin America | p. 427 |
| Bibliography | p. 427 |
| Bibliography | p. 435 |
| After the War | p. 436 |
| Bibliography | p. 443 |
| Transformation of the Hollywood System | p. 443 |
| Independents and Mavericks | p. 451 |
| Bibliography | p. 451 |
| Bibliography | p. 460 |
| The Modern Cinema 1960-1995 | p. 461 |
| Introduction | p. 463 |
| Television and the Film Industry | p. 466 |
| The New Hollywood | p. 475 |
| Bibliography | p. 475 |
| Bibliography | p. 482 |
| New Technologies | p. 483 |
| Bibliography | p. 490 |
| Sex and Sensation | p. 490 |
| Bibliography | p. 496 |
| The Black Presence in American Cinema | p. 497 |
| Bibliography | p. 509 |
| Exploitation and the Mainstream | p. 509 |
| Bibliography | p. 515 |
| Dreams and Nightmares in the Hollywood Blockbuster | p. 516 |
| Bibliography | p. 526 |
| CinÉma-VÉritÉ and the New Documentary | p. 527 |
| Avant-Garde Film: the Second Wave | p. 537 |
| Bibliography | p. 537 |
| Bibliography | p. 550 |
| Animation in the Post-Industrial Era | p. 551 |
| Bibliography | p. 558 |
| Modern Film Music | p. 558 |
| Bibliography | p. 566 |
| Art Cinema | p. 567 |
| Bibliography | p. 575 |
| New Directions in French Cinema | p. 576 |
| Italy: Auteurs and After | p. 586 |
| Bibliography | p. 586 |
| Bibliography | p. 596 |
| Spain After Franco | p. 596 |
| Bibliography | p. 603 |
| British Cinema: the Search for Identity | p. 604 |
| Bibliography | p. 613 |
| The New German Cinema | p. 614 |
| Bibliography | p. 627 |
| East Germany: the Defa Story | p. 627 |
| Changing States in East Central Europe | p. 632 |
| Bibliography | p. 632 |
| Bibliography | p. 640 |
| Russia After the Thaw | p. 640 |
| Bibliography | p. 651 |
| Cinema in the Soviet Republics | p. 651 |
| Bibliography | p. 656 |
| Turkish Cinema | p. 656 |
| Bibliography | p. 661 |
| The Arab World | p. 661 |
| The Cinemas of Sub-Saharan Africa | p. 667 |
| Bibliography | p. 667 |
| Bibliography | p. 672 |
| Iranian Cinema | p. 672 |
| Bibliography | p. 678 |
| Filming the Nation | p. 678 |
| Bibliography | p. 689 |
| Indonesian Cinema | p. 690 |
| China After the Revolution | p. 693 |
| Bibliography | p. 693 |
| Bibliography | p. 704 |
| Popular Cinema in Hong Kong | p. 704 |
| Taiwanese New Cinema | p. 711 |
| Bibliography | p. 711 |
| Bibliography | p. 713 |
| The Modernization of Japanese Film | p. 714 |
| Bibliography | p. 721 |
| New Australian Cinema | p. 722 |
| Bibliography | p. 730 |
| Bibliography | p. 731 |
| New Zealand Cinema | p. 731 |
| Canadian Cinema/Cinéma Canadien | p. 731 |
| Bibliography | p. 740 |
| New Cinemas in Latin America | p. 740 |
| Bibliography | p. 749 |
| New Concepts of Cinema | p. 750 |
| Bibliography | p. 759 |
| The Resurgence of Cinema | p. 759 |
| Bibliography | p. 767 |
| Index | p. 785 |
| List of Picture Sources | p. 823 |
| Table of Contents provided by Publisher. All Rights Reserved. |
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