Foreword |
|
8 | (2) |
|
|
|
|
Introduction |
|
10 | (2) |
|
|
|
|
The Whitney: Biography of an Institution |
|
12 | (6) |
LOVE AND STRUGGLE: GERTRUDE VANDERBILT WHITNEY |
|
|
|
18 | (42) |
VISUAL CONTEXTS FOR AMERICAN ART |
|
|
John Sloan, The Picnic Grounds |
|
|
60 | (2) |
|
|
|
|
|
Gaston Lachaise, Standing Woman |
|
|
62 | (2) |
|
|
|
|
|
Max Weber, Chinese Restaurant |
|
|
64 | (2) |
|
|
|
|
|
Charles Burchfield, Noontide in Late May |
|
|
66 | (2) |
|
|
|
|
|
Marsden Hartley, Landscape, New Mexico |
|
|
68 | (2) |
|
|
|
|
|
John Storrs, Forms in Space #1 |
|
|
70 | (2) |
|
|
|
|
|
|
72 | (2) |
|
|
|
|
|
Charles Sheeler, Interior |
|
|
74 | (2) |
|
|
|
|
|
Arshile Gorky, The Artist and His Mother |
|
|
76 | (2) |
|
|
|
|
|
|
78 | (2) |
|
|
|
|
|
|
80 | (2) |
|
|
|
|
|
Georgia O'Keeffe, The White Calico Flower |
|
|
82 | (2) |
|
|
|
|
|
Charles Sheeler, River Rouge Plant |
|
|
84 | (2) |
|
|
|
|
|
Grant Wood, Study for Breaking the Prairie |
|
|
86 | (28) |
|
|
|
|
AMERICAN ICONS INTERPRETED |
|
|
Joseph Stella, The Brooklyn Bridge |
|
|
114 | (12) |
|
|
115 | (4) |
|
|
119 | (3) |
|
|
122 | (4) |
|
William J. Glackens, Hammerstein's Roof Garden |
|
|
126 | (10) |
|
|
127 | (3) |
|
|
130 | (3) |
|
|
133 | (3) |
|
Ben Shahn, The Passion of Sacco and Vanzetti |
|
|
136 | (10) |
|
|
137 | (3) |
|
|
140 | (3) |
|
|
143 | (3) |
|
George Bellows, Dempsey and Firpo |
|
|
146 | (12) |
|
|
147 | (5) |
|
|
152 | (2) |
|
|
154 | (4) |
|
|
158 | (10) |
|
|
159 | (3) |
|
|
162 | (3) |
|
|
165 | (3) |
|
Alexander Calder, Calder's Circus |
|
|
168 | |
|
|
169 | (3) |
|
|
172 | (1) |
|
|
173 | |
|
Raphael Soyer, Office Girls |
|
|
88 | (2) |
|
|
|
|
|
Reginald Marsh, Twenty Cent Movie |
|
|
90 | (2) |
|
|
|
|
|
Burgoyne Diller, First Theme |
|
|
92 | (2) |
|
|
|
|
|
|
94 | (2) |
|
|
|
|
|
Philip Evergood, Lily and the Sparrows |
|
|
96 | (2) |
|
|
|
|
|
Theodore Roszak, Bi-Polar in Red |
|
|
98 | (2) |
|
|
|
|
|
Andrew Wyeth, Winter Fields |
|
|
100 | (2) |
|
|
|
|
|
Richard Pousette-Dart, Within the Room |
|
|
102 | (2) |
|
|
|
|
|
Jacob Lawrence, War Series: Another Patrol |
|
|
104 | (2) |
|
|
|
|
|
Thomas Hart Benton, Poker Night |
|
|
106 | (2) |
|
|
|
|
|
Edward Hopper, Seven A.M. |
|
|
108 | (2) |
|
|
|
|
|
Stuart Davis, Owh! in San Pao |
|
|
110 | (66) |
|
|
|
|
|
Edward Hopper, Early Sunday Morning |
|
|
176 | (10) |
|
|
177 | (3) |
|
|
180 | (2) |
|
|
182 | (4) |
|
Georgia O'Keeffe, Summer Days |
|
|
186 | (10) |
|
|
187 | (2) |
|
|
189 | (4) |
|
|
193 | (3) |
|
|
196 | (8) |
|
|
197 | (3) |
|
|
200 | (2) |
|
|
202 | (2) |
|
Marsden Hartley, Painting, Number 5 |
|
|
204 | (10) |
|
|
205 | (3) |
|
|
208 | (3) |
|
|
211 | (3) |
Acknowledgments |
|
214 | (2) |
|
|
|
|
|
|
|
|
Notes on the Contributors |
|
216 | |