Going Pro With Logic Pro 8

by
Format: Paperback
Pub. Date: 2008-11-10
Publisher(s): Cengage Learning PTR
  • Free Shipping Icon

    Free Shipping On Orders Over $35

    Your order must be $35 or more to qualify for free economy shipping. Marketplace items, eBooks and apparel do not qualify towards the $35 purchase minimum.

List Price: $29.99

Rent Book

Select for Price
There was a problem. Please try again later.

New Book

We're Sorry
Sold Out

Used Book

We're Sorry
Sold Out

eBook

We're Sorry
Not Available

How Marketplace Works:

  • This item is offered by an independent seller and not shipped from our warehouse
  • Item details like edition and cover design may differ from our description; see seller's comments before ordering.
  • Sellers much confirm and ship within two business days; otherwise, the order will be cancelled and refunded.
  • Marketplace purchases cannot be returned to eCampus.com. Contact the seller directly for inquiries; if no response within two days, contact customer service.
  • Additional shipping costs apply to Marketplace purchases. Review shipping costs at checkout.

Summary

Logic Pro is the arguably the number one sequencer in professional studios, and among professional musicians. "Going Pro with Logic Pro 8" is an expert level book that addresses the needs of the professional Logic user. The book picks up where the manual leaves off, guiding you from initial setup of Logic Pro 8 through the recording and editing process to final delivery media; dropping power-user tips and tricks throughout the process. The book also features sidebars from well-know Logic experts, explaining how they integrate advanced techniques into their workflow. Topics covered include building custom mixers, designing templates, organizing your sound pallet, dealing with multi-computer set-ups, the ins and outs of working with reference video, scoring inside Logic, mixing tips, mastering tips, and much more.

Table of Contents

Introductionp. xi
Make It Work: Techniques for Customizing Your Logic Pro 8 Setup for Greater Efficiencyp. 1
Converting a Logic Pro 7 Template into a Logic Pro 8 Template without Headachesp. 2
Editing and Resaving a Logic Pro Template for Use in Logic Pro 8p. 2
Opening the Template in Logic Pro 8 and Finishing Itp. 5
Using Software Instruments That Are Both Multi-Timbral and Multi-Outputp. 8
Creating a Multi-Timbral, Multi-Output Stylus RMX and Assigning Sounds to MIDI Channelsp. 8
Creating Auxes for the Multi-Output Software Instrument and Assigning the Outputs in the Software Instrumentp. 10
Converting Multi-Output Software Instruments to Audio Filesp. 14
Creating Audio Tracks, Assigning Their Inputs, and Assigning the Outputs of the Auxesp. 16
Customizing an Environment Layer for a "Live" Mixerp. 19
Input Channel Stripsp. 19
Creating Input Channel Stripsp. 19
Creating an EXS24 Instrument Loader Projectp. 24
Preparing an EXS24 to Change Instruments by Playing a Notep. 24
Creating a MIDI Region for Cycling and Automatically Loading New EXS24 Instrumentsp. 26
Creating an Orchestral Template in Logic Pro 8 with Third-Party Libraries for the EXS24p. 28
Creating the EXS24 Software Instrumentsp. 28
Some Considerationsp. 32
Customizing Environment Layers for Mixing in Your Orchestral Template in Logic 8p. 33
Creating the Environment Layersp. 33
Moving the Software Instrument Channel Strips to the Desired Environment Layersp. 34
Modifying Your Orchestral Template for Score Printout in Logic 8p. 39
Assigning Default Score Styles for Regionsp. 39
Considerationsp. 41
Becoming a Logic Pro 8 Stud: Techniques for Composing and Editing with Logic Pro 8p. 47
Advanced Quantize Techniques for Natural-Sounding MIDI Parts in Logic Pro 8p. 48
Hard Quantizing with the Region Parameters Boxp. 48
Using the Extended Region Parameters for More Musical Quantizationp. 48
Placing Regions Efficiently in Logic Pro 8p. 55
Using the Key Commands for Go to Position and Pickup Clock to Place Regionsp. 55
Using the Event Float to Place Regionsp. 55
Using the Event List to Place Regionsp. 56
Using Groove Templates for an MPC3000-Like Feelp. 60
Adding the MPC3000 Quantize Choices to Your Logic Templatep. 61
Working with the MPC-3000 Quantize Choicesp. 63
Using Logic Pro 8's Arpeggiatorp. 67
Creating the Arpeggiator in the Environment to Work with a Software Instrumentp. 67
Setting the Arpeggiator's Parametersp. 68
Using Multiple Arpeggiators with a Software Instrumentp. 70
Recording Two Different Software Instruments Discretely from Two MIDI Controllers with Logic Pro 8p. 73
Setting Up Logic Pro 8 and Your MIDI Controllersp. 73
Recording the Two Software Instruments Discretely from the Two Controllersp. 76
Important Things to Rememberp. 77
Side Chaining in Logic Pro 8p. 79
Adding Vocoder FX to a Vocal with the Evoc 20 Polysynth and Side Chainingp. 79
Side Chaining Compressorsp. 82
Creating a Tempo Map from an Audio File without Strong Transientsp. 85
Considerations before You Beginp. 85
Creating a MIDI Region to Beat Map Top. 87
An Optional Test for Fine Tuningp. 89
Bringing Audio Files into a Logic Pro 8 Project and Having Them Chase Tempop. 91
Re-recording an Audio File in a Logic Projectp. 91
Creating a Tempo Ramp for the Audio File to Chasep. 92
Using Soundtrack Pro 2 as an External Sample Editor to Render Effects to an Audio Region in Logic Pro 8p. 96
Setting Up Logic Pro to Use Soundtrack Pro 2 as an External Sample Editorp. 96
Sending an Audio Region from Logic Pro to Soundtrack Pro 2 to Add Effectsp. 97
Adding an Effect to a Region in Soundtrack Pro 2 and Replacing the Original Region with It in Logic Pro 8p. 98
Plotting Hits in Logic Pro 8p. 100
Converting Scene Markers to Standard Markers and Moving Them a Few Framesp. 100
Jay's Fly-by-the-Seat-of-Your-Pants Method for Plotting Hitsp. 102
Considerationsp. 108
Getting in Touch with Your Inner Geek: Techniques for Recording and Mixing with Logic Pro 8p. 109
Wise Gain Structure Techniques for Mixing In The Box within Logic Pro 8p. 110
Pre-Fader Meteringp. 110
Controlling the Level Being Sent to the Channelp. 113
Old-School Punch-In Audio Recording with Logic Pro 8p. 115
Setting Up Logic Pro 8 for Punching In and Out on a Track without Stopping, Tape-Recorder Stylep. 115
Tape Recorder-Style Recordingp. 117
Newer-School Punch-In Recordingp. 119
Creating a Customized Click Trackp. 122
Setting Up Logic Pro 8 for Creating a Customized Click Track and Exporting It as Audiop. 122
Creating a MIDI Region for the Click and Exporting It as Audiop. 124
Using Parallel Compression in Logic Pro 8p. 126
Setting Up for Parallel Compressionp. 126
An Even Easier Methodp. 127
Drum Enhancement/Replacement with Logic Pro 8p. 130
Audio to Scorep. 130
Using ApTrigga2 for Drum Replacement/Enhancementp. 135
Bouncing, Freezing, Exporting, and Recording to Audio Tracks: When, Why, and Howp. 139
Freeze Tracksp. 139
Exportp. 141
Routing Auxes to Audio Tracks for Recordingp. 144
Using UAD Cards with Logic Pro 8p. 146
Using UAD Plug-Ins on Auxes and Outputsp. 147
Logic Pro 8 and the Outside World: Techniques for Integrating Third-Party Software and Hardware with Logic Pro 8p. 153
Using Kontakt as a Standalone with Logic Pro 8p. 154
Downloading and Installing Soundflowerp. 154
Creating an Aggregate Device in Audio MIDI Setupp. 154
Setting Up Kontakt 3 as a Standalonep. 155
Setting Up Logic Pro 8p. 156
Using Stormdrum 2 as a Standalone with Logic Pro 8p. 160
Setting Up Stormdrum 2 as a Standalonep. 160
Setting Up Logic Pro 8p. 161
Using Reason 4 via ReWire with Logic Pro 8p. 165
Setting Up Logic Pro to Communicate with Reasonp. 165
Adding a Second Reason Instrument and Routing It into Logic Pro Discretelyp. 166
Using ReCycle 2 with Logic Pro 8 and the EXS24p. 170
Creating a REX 2 File in ReCycle 2p. 170
Bringing a REX 2 Loop onto an Audio Track in the Arrange Areap. 172
Bringing a REX 2 Loop into the EXS24p. 174
Using Logic Pro 8 as a Software Instrument Rack for an Akai MPC3000p. 176
Setting Up the Environment for an MPC3000 Templatep. 176
Troubleshootingp. 179
Creating and Placing 2 Pops in Logic Pro 8 Projects for Audio File Alignment in a Pro Tools Sessionp. 181
Recording and Placing the 2 Popp. 181
Placing the Audio Files in a Pro Tools Session (for Delivery to Post-Production)p. 184
Logic Pro 8 as a Front End for a TDM (HD) Rigp. 187
Using Both Logic Pro 8's Native Direct TDM Audio Driver and Digidesign's DAE Audio Driverp. 187
Creating a Logic Pro 8 Template with Both Direct TDM and DAE Audio Drivers Instantiatedp. 187
Indexp. 193
Table of Contents provided by Ingram. All Rights Reserved.

An electronic version of this book is available through VitalSource.

This book is viewable on PC, Mac, iPhone, iPad, iPod Touch, and most smartphones.

By purchasing, you will be able to view this book online, as well as download it, for the chosen number of days.

Digital License

You are licensing a digital product for a set duration. Durations are set forth in the product description, with "Lifetime" typically meaning five (5) years of online access and permanent download to a supported device. All licenses are non-transferable.

More details can be found here.

A downloadable version of this book is available through the eCampus Reader or compatible Adobe readers.

Applications are available on iOS, Android, PC, Mac, and Windows Mobile platforms.

Please view the compatibility matrix prior to purchase.