Preface and acknowledgments |
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vii | |
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Media culture and the triumph of the spectacle |
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1 | (33) |
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Guy Debord and the society of the spectacle |
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2 | (9) |
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The infotainment society and technocapitalism |
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11 | (4) |
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From media culture to media spectacle |
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15 | (2) |
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17 | (10) |
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Cultural studies as diagnostic critique |
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27 | (7) |
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Commodity spectacle: McDonald's as global culture |
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34 | (29) |
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McDonald's and McDonaldization |
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34 | (4) |
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Theorizing McDonald's: a multiperspectivist approach |
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38 | (1) |
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McDonald's between the global and the local |
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39 | (3) |
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McDonald's between the modern and the postmodern |
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42 | (3) |
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Criticizing/resisting the McDonald's spectacle |
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45 | (2) |
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The case against McDonald's |
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47 | (8) |
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Evaluating McDonaldization |
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55 | (2) |
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The personal and the political |
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57 | (6) |
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The sports spectacle, Michael Jordan, and Nike |
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63 | (30) |
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65 | (5) |
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The spectacle of Michael Jordan |
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70 | (3) |
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Michael Jordan and the sports/race spectacle |
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73 | (5) |
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Michael Jordan, Nike, and the commodity spectacle |
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78 | (5) |
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Third coming, sex scandals, and the contradictions of the spectacle |
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83 | (3) |
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Contradictions of Michael Jordan |
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86 | (1) |
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Reading Jordan critically |
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87 | (6) |
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Megaspectacle: the O. J. Simpson murder trial |
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93 | (33) |
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Murder and media spectacle in Brentwood |
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94 | (8) |
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Spectacle culture and the social construction of reality |
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102 | (2) |
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The verdict and the aftermath |
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104 | (4) |
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The Simpson spectacle, identity politics, and postmodernization |
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108 | (2) |
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Identity and identity politics |
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110 | (6) |
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The Simpson effect: contradictions of a megaspectacle |
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116 | (10) |
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TV spectacle: aliens, conspiracies, and biotechnology in The X-Files |
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126 | (34) |
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Conspiracy, paranoia, and postmodern aesthetics in The X-Files |
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128 | (8) |
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Series television as social critique: ``Trust no one'' |
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136 | (4) |
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The postmodern sublime, or ``Is the truth out there''? |
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140 | (5) |
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Postmodern deconstruction: ``I want to believe'' but ... |
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145 | (5) |
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Nothing important happened today ... except that everything changed |
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150 | (6) |
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Representing the unrepresentable |
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156 | (4) |
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Presidential Politics, the Movie |
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160 | (19) |
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161 | (1) |
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LBJ and Nixon: bad movies |
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162 | (2) |
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Ford and Carter: indifferent presidencies and poor spectacle |
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164 | (2) |
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Ronald Reagan, the acting president |
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166 | (2) |
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Bush I, mixed spectacle, failed presidency |
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168 | (2) |
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170 | (3) |
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Bush II, Grand Theft 2000, and Terror War |
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173 | (3) |
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Conclusion: democratic politics and spectacle culture in the new millennium |
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176 | (3) |
References |
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179 | (7) |
Index |
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186 | |