Media Spectacle

by
Format: Nonspecific Binding
Pub. Date: 2003-01-06
Publisher(s): Routledge
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Summary

During the mid-1990s, the O.J. Simpson murder trials dominated the media in the United States and were circulated throughout the world via global communications networks. The case became a spectacle of race, gender, class and violence, bringing in elements of domestic melodrama, crime drama and legal drama. According to cultural critic and scholar Douglas Kellner, the Simpson case was just one example of what the author calls 'media spectacle' -- a form of media culture that puts contemporary dreams, nightmares, fantasies and values on display. Through the analysis of several such media spectacles -- including Elvis, the X Files, Michael Jordan, and the Bill Clinton sex scandals - Kellner's insightful and fascinating book draws out important insights into media, journalism, the public sphere and politics in an era of new technologies.Media Spectacleis a brilliant dissection of contemporary society; its ongoing appetite for scandal, tragedy and perversion; and the new technologies and media thatstrive to feed this immense hunger. This is cultural criticism and media analysis at its best.

Author Biography

Douglas Kellner is George F. Kneller Philosophy of Education Chair at the UCLA Graduate School of Education and Information Studies.

Table of Contents

Preface and acknowledgments vii
Media culture and the triumph of the spectacle
1(33)
Guy Debord and the society of the spectacle
2(9)
The infotainment society and technocapitalism
11(4)
From media culture to media spectacle
15(2)
Signs of the times
17(10)
Cultural studies as diagnostic critique
27(7)
Commodity spectacle: McDonald's as global culture
34(29)
McDonald's and McDonaldization
34(4)
Theorizing McDonald's: a multiperspectivist approach
38(1)
McDonald's between the global and the local
39(3)
McDonald's between the modern and the postmodern
42(3)
Criticizing/resisting the McDonald's spectacle
45(2)
The case against McDonald's
47(8)
Evaluating McDonaldization
55(2)
The personal and the political
57(6)
The sports spectacle, Michael Jordan, and Nike
63(30)
The sports spectacle
65(5)
The spectacle of Michael Jordan
70(3)
Michael Jordan and the sports/race spectacle
73(5)
Michael Jordan, Nike, and the commodity spectacle
78(5)
Third coming, sex scandals, and the contradictions of the spectacle
83(3)
Contradictions of Michael Jordan
86(1)
Reading Jordan critically
87(6)
Megaspectacle: the O. J. Simpson murder trial
93(33)
Murder and media spectacle in Brentwood
94(8)
Spectacle culture and the social construction of reality
102(2)
The verdict and the aftermath
104(4)
The Simpson spectacle, identity politics, and postmodernization
108(2)
Identity and identity politics
110(6)
The Simpson effect: contradictions of a megaspectacle
116(10)
TV spectacle: aliens, conspiracies, and biotechnology in The X-Files
126(34)
Conspiracy, paranoia, and postmodern aesthetics in The X-Files
128(8)
Series television as social critique: ``Trust no one''
136(4)
The postmodern sublime, or ``Is the truth out there''?
140(5)
Postmodern deconstruction: ``I want to believe'' but ...
145(5)
Nothing important happened today ... except that everything changed
150(6)
Representing the unrepresentable
156(4)
Presidential Politics, the Movie
160(19)
JFK, the Movie
161(1)
LBJ and Nixon: bad movies
162(2)
Ford and Carter: indifferent presidencies and poor spectacle
164(2)
Ronald Reagan, the acting president
166(2)
Bush I, mixed spectacle, failed presidency
168(2)
The Clinton spectacle
170(3)
Bush II, Grand Theft 2000, and Terror War
173(3)
Conclusion: democratic politics and spectacle culture in the new millennium
176(3)
References 179(7)
Index 186

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