National Gallery Technical Bulletin : Volume 32: Leonardo da Vinci: Pupil, Painter, and Master
by Ashok Roy, Series Editor; With contributions by Rachel Billinge, Jill Dunkerton,Larry Keith, Antonio Mazzotta, Rachel Morrison, David Peggie, Ashok Roy, PeterSchade, and Marika SpringFormat: Trade Paper
Pub. Date: 2011-11-29
Publisher(s): Natl Gallery Pubns Ltd
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Summary
Published to accompany the highly anticipated exhibition Leonardo da Vinci: Painter at the Court of Milanat the National Gallery, London, this extended volume of the Technical Bulletindocuments new research undertaken on the life and work of Leonardo. It includes an analysis of his time in Verrocchio's workshop, where he adopted the new technique of oil painting; an article on the recent conservation and redisplay of the London version of The Virgin of the Rocks; and examples of Leonardo's painting practice and influence while he was court painter to the Duke of Milan, Ludovico Sforza.
Author Biography
Ashok Roy, Rachel Morrison, David Peggie, and Marika Spring are all staff members of the National Gallery Scientific Department; Rachel Billinge, Jill Dunkerton, and Larry Keith are all staff members of the National Gallery Conservation Department; Peter Schade is staff member of the National Gallery Framing Department; Antonio Mazzotta was formerly curatorial assistant at The National Gallery.
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