| Recorded Selections |
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xi | (6) |
| The Authors |
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xvii | (4) |
| Preface |
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xxi | |
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1. The Music-Culture as a World of Music |
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1 | (16) |
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1 | (1) |
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Affect, Performance, Community, and History: A Music-Culture Model |
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2 | (5) |
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Components of a Music-Culture |
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7 | (6) |
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Social Organization of Music |
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Material Culture of Music |
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13 | (1) |
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14 | (1) |
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15 | (2) |
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2. North America/Native America |
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17 | (54) |
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17 | (11) |
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Making a "Cowhorn" Rattle |
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Music of the Navajo Indians |
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28 | (39) |
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A Yeibichai Song from the Nightway Ceremony |
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Traditional Popular Music |
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The Circle Dance Song "Shizhané'é" |
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The "Classical" Music of the Navajos |
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The Life Story of a Navajo Ceremonial Practitioner |
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The Native American Church |
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New Composers in Traditional Modes |
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Music with Newly Created Navajo Texts and Melodies |
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New Navajo Music with English Texts and Orchestral Accompaniment |
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The Native American Flute Revival |
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67 | (2) |
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69 | (1) |
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69 | (1) |
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Major Sources for Recordings |
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70 | (1) |
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3. Africa/Ewe, Mande, Dagbamba, Shona, BaAka |
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71 | (73) |
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71 | (1) |
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Postal Workers Canceling Stamps |
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72 | (6) |
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Generalizations about African Music-Culture |
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Musical Analysis: Toward Participation |
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Agbekor: Music and Dance of the Ewe People |
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78 | (23) |
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Agbekor: History and Contemporary Performance |
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Music of the Percussion Ensemble |
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101 | (10) |
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Historical and Social Background |
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111 | (7) |
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Life Story: Abubakari Lunna |
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118 | (11) |
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Thomas Mapfumo and Chimurenga Music |
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129 | (9) |
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Three Images of the Forest People |
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Music-Culture As an Adaptive Resource |
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138 | (1) |
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139 | (4) |
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143 | (1) |
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143 | (1) |
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4. North America/Black America |
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144 | (67) |
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144 | (10) |
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154 | (7) |
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161 | (45) |
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206 | (1) |
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207 | (1) |
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208 | (1) |
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209 | (1) |
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210 | (1) |
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5. Bosnia and Central/Southeast Europe: Musics and Musicians in Transition |
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211 | (41) |
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Bosnia: From Tradition to Destruction |
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214 | (29) |
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Music in a Muslim Highlander Village |
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Music of Rural and Urban Lowlands Muslims |
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Popular Music Styles: "Newly Composed Folk Music" and Rock |
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Mensur Hatic: Versatile Musical Traveler |
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Flory Jagoda: Keeper of the Sephardic Jewish Tradition of Bosnia |
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Bulgaria and Hungary: Other Approaches to Musical Change |
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243 | (6) |
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Hungary: Learning from Traditional Music |
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249 | (1) |
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250 | (1) |
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250 | (1) |
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251 | (1) |
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252 | (64) |
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The Environment--The Musician |
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252 | (15) |
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A Day in the Life of Ramachandra, A Musician of Madras |
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Karnataka sangeeta, the Classical Music of South India |
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267 | (2) |
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A Performance Segment: The Sound World |
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269 | (12) |
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Raga (the Expressive Mode) |
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Scale, Raga sankarabharanam |
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Musical Structure: Improvisation |
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Musical Structure: The Kriti |
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281 | (15) |
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Svara kalpana in the Performance |
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Indian Music and the West |
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296 | (3) |
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Instrument Building and Performance |
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299 | (6) |
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305 | (8) |
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313 | (1) |
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Commercial Recordings Cited |
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313 | (1) |
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314 | (1) |
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314 | (1) |
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315 | (1) |
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316 | (53) |
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318 | (34) |
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Gamelan Performance Contexts |
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Gamelan Music: A Javanese Gendhing in Performance |
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Performing Your Own Gamelan Music |
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A Javanese Gendhing in Soft-Playing Style |
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Instrumental Playing in "Ladrang Wilujeng" |
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Singing in "Ladrang Wilujeng" |
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Biography of Ki Nartosabdho, a Gamelan Musician, Composer, and Puppeteer |
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Gamelan Music and Shadow Puppetry |
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352 | (4) |
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356 | (3) |
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359 | (4) |
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363 | (1) |
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364 | (1) |
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365 | (2) |
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367 | (2) |
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369 | (59) |
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Listening Habits of Contemporary Japanese |
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371 | (1) |
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General Characteristics of Japanese Traditional Music |
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372 | (4) |
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376 | (6) |
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382 | (2) |
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384 | (7) |
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Gidayu-bushi: Music of the Puppet Theater |
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391 | (6) |
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397 | (5) |
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Festival Music: Matsuri-bayashi |
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402 | (9) |
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411 | (13) |
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424 | (1) |
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425 | (1) |
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426 | (1) |
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427 | (1) |
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428 | (67) |
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429 | (1) |
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Nueva Canción: "El Lazo," |
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430 | (7) |
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437 | (6) |
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The Quichua of the Northern Andes of Ecuador |
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443 | (4) |
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The Musical Tradition: Sanjuán |
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447 | (10) |
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Sanjuán and Cotacachi Quichua Lifeways |
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457 | (3) |
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Walking in Sanjuán: The Vital-Domain Metaphor |
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460 | (2) |
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462 | (4) |
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The Andean Ensemble Phenomenon |
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466 | (2) |
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468 | (7) |
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The Career Dilemma of Don César Muquinche |
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475 | (6) |
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481 | (2) |
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African-Ecuadorian Music of the Chota River Valley |
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483 | (3) |
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486 | (1) |
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487 | (3) |
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490 | (2) |
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492 | (1) |
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493 | (2) |
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10. Discovering and Documenting a World of Music |
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495 | (26) |
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Music in Our Own Backyards |
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495 | (9) |
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Doing Musical Ethnography |
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504 | (1) |
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Selecting a Subject: Some Practical Suggestions |
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504 | (2) |
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506 | (11) |
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Participation and Observation |
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Field Equipment: Notebook, Tape Recorder, Camera |
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Other Means of Collecting Information |
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517 | (1) |
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518 | (1) |
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518 | (3) |
| Index |
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521 | |
Other versions by this Author
